Adjoa Andoh
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"Cast out of the royal court by Eleanor of Aquitaine, deemed too coarse and rough-hewn for marriage or courtly life, seventeen-year-old Marie de France is sent to England to be the new prioress of an impoverished abbey, its nuns on the brink of starvation and beset by disease. At first taken aback by the severity of her new life, Marie finds focus and love in collective life with her singular and mercurial sisters. In this crucible, Marie steadily...
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"Qven was created to be a Presger translator. The pride of their Clade, they always had a clear path before them: learn human ways, and eventually, make a match and serve as an intermediary between the dangerous alien Presger and the human worlds. The realization that they might want something else isn't 'optimal behavior'. I's the type of behavior that results in elimination. But Qven rebels. And in doing so, their path collides with those of two...
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"Following her record-breaking run in science fiction, Ann Leckie, winner of the Hugo, Nebula, Arthur C. Clarke and Locus Awards, brings her immense talent to an epic fantasy novel about the hidden forces that guide our fates. Having helped win a war at great cost in human lives and to its own power, the god known as the Raven of Iraden was forced to continue to fulfill its commitment to its followers and slowly regain its strength through the steady...
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Imperial Radch volume 2
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"What if you once had thousands of bodies and near god-like technology at your disposal? And what if all of it were ripped away? The Lord of the Radch has given Breq command of the ship Mercy of Kalr and sent her to the only place she would have agreed to go -- to Athoek Station, where Lieutenant Awn's sister works in Horticulture. Athoek was annexed some six hundred years ago, and by now everyone is fully civilized -- or should be. But everything...
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"Mma Ramotswe must balance family obligations with the growing needs of one of Charlie’s pet projects. Precious Ramotswe loves her dependable old van. Yes, sometimes it takes a bit longer to get going now, and it has developed some quirks over the years, but it has always gotten the job done. This time, though, the world–and Charlie–may be asking too much of it, for when he borrows the beloved vehicle he returns it damaged. And, to make matters...
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THE NO. 1 LADIES’ DETECTIVE AGENCY - Young Readers
Fans around the world adore the bestselling No. 1 Ladies’ Detective Agency series, the basis of the HBO TV show, and its proprietor Precious Ramotswe, Botswana’s premier lady detective. In this charming series, Mma Ramotswe navigates her cases and her personal life with wisdom, and good humor—not to mention help from her loyal assistant, Grace...
Fans around the world adore the bestselling No. 1 Ladies’ Detective Agency series, the basis of the HBO TV show, and its proprietor Precious Ramotswe, Botswana’s premier lady detective. In this charming series, Mma Ramotswe navigates her cases and her personal life with wisdom, and good humor—not to mention help from her loyal assistant, Grace...
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V.I.'s battleaxe Aunt Rosa is under investigation by the FBI and SEC after counterfeit stock certificates were found at St. Albert's Priory, where she serves as treasurer. As malicious as her aunt is, V.I. knows she's not dishonest, so V.I. vows to protect her from taking the fall. But V.I. starts questioning the strength of her family ties when a menacing voice on the phone threatens to throw acid into her eyes if she doesn't butt out. The stakes
...10) Episode 8
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20 HOME: Refuge, shelter, or prison? Sharmila Tagore narrates the story of home on screen in the great films of Edith Carlmar, Lynne Ramsay, Mai Zetterling, Liu Jiay-in, Forough Farrokhzad, Antonia Bird and others. 21 RELIGION: Narrator Sharmila Tagore takes us on a global tourof great films about religion. We start in America in the 1910s, go to Sri Lanka in the 70s, and dip into thework of Lucretia Martel, Jessica Hausner and Marjane Satrapi. 22...
11) Episode 4
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09 STAGING: Scene staging is an element of film form pointing clearly to cinema’s origin – theatre. Kinuyo Tanaka in The Moon Has Risen uses staging to shape the scene’s invisible geometry, accentuating the tension between characters. Maren Ade in Toni Erdmann stages the scene through depth, facilitating the tragicomic punchline. And in Maria Schrader’s Stefan Zweig: A Farewell to Europe, the criss-crossing complex staging in the final scene...
12) Episode 1
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01 OPENINGS: With examples from 1943 to 2013, from China to Iran, Australia to Finland, we look at how to open a film: from mysterious, direct, floating, foreboding to plunging straight in. All are instructive in how to create an immediate world. Learning from example. 02 TONE: What’s the tone of a film – not its story or theme, but what its world feels like? Back to Hollywood and director Dorothy Arzner with Merrily We Go to Hell and its glamorous...
13) Episode 6
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15 POV: Is cinema the art of point of view? Jocelyn Moorhouse, Ida Lupino, Norway’s Edith Carlmar, Sofia Coppola, Italy’s Liliana Cavani, Kelly Reichart, the great Larisa Shepitko, Jennifer Kent and other great directors demonstrate the art of POV in films. 16 CLOSE UP: If close ups give movies their intensity, films from Belgium, Hungary, Australia, Finland, China, America, France, Germany and Ukraine, shot over ten decades, show how best to...
14) Women Make Film
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WOMEN MAKE FILM is an epic exploration of cinema history through the lens of some the world’s greatest directors – all women. Official Selection at the **Venice Film Festival**, **Toronto International Film Festival**, and **Telluride Film Festival**.
15) Episode 3
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06 CONVERSATION: A basic human interaction – how to make it cinematic? Angela Schanelec directs us to focus on body language in Places in Cities, Cecile Tang uses the zoom as guide through the emotional shifts in The Arch, and Sofia Coppola in The Virgin Suicides shows us an unspoken conversation through division with songs and split screens telling a story of impossible longing. 07 FRAMING: Frames describe and paint the scenes. They can make sport...
16) Episode 9
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23 POLITICS: Another aspect of everyday life. From silent cinema to the 21 st Century, movies from the visually astonishing The Enchanted Desna to Divorce Iranian Style to Bigelow’s Strange Days have gained their energy and attack from their politics. 24 GEAR CHANGE: We like to be taken by surprise in films. This short chapter, narrated by Sharmila Tagore, looks at such surprises. 25 COMEDY: Is comedy universal? Who have been the great comedy filmmakers...
17) Episode 12
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32 REVEAL: Paired with chapter 31, is this one, it’s opposite. How does Lynne Ramsay do a reveal in Morven Caller? How does the great actor-director Kinuyo Tanaka? Or Sarah Polley? Or Italy’s Alice Rohrwacher? 33 MEMORY: As cinema is a kind of time machine, it’s no surprise that it’s great at memory. In this chapter we look at rare movie gems about memory directed by filmmakers including Petra Costa, Greece’s Maria Plytya, Poland’s Dorota...
18) Episode 11
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29 TENSION: Thrillers, but much more. We look at gripping scenes in films as diverse as Joel DeMott’s documentary Demon Lover Diary, Kathryn Bigelow’s Blue Steel, Carol Morley’s Dreams of A Life, Mimi Leder’s Peacemaker, and Marleen Gorris’ remarkable A Question of Silence. 30 STASIS: Cinema is an action art, isn’t it? Or is it? Directors Angela Schanelec, Anouk Leopold, Kira Muratova, Chantal Akerman, Sharon Lockhart, and Pakistan’s...
19) Episode 13
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35 LIFE INSIDE: Novels are great at describing thoughts, but how do films do so? In this chapter, we see how great directors from France, Ukraine, the UK, America, New Zealand and Algeria used time in their movies. 36 THE MEANING OF LIFE: In the last chapters of our story, we look at the biggest things in life. Here we see how great filmmakers across the world, and from many decades, try to getto the essence of life. 37 LOVE: Movies soar with love,...
20) Episode 2
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03 BELIEVIBILITY: Easy to spot, but not so easy to understand. Believability is about simple human stories, truth about life, real emotions, responding to the world. Howdo directors create a reality without it feeling fake? True stories can help, but what’s the trick? Here are some answers, with a masterclass in believability from Lois Weber’s The Blot to Maren Ade’s Toni Erdmann. 04 INTRODUCING CHARACTER: Going to a house, overhearing people,...